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Terumah - 3rd Portion
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Join as we learnish for today Tuesday
parasuma
chapter 25 verse 32.
Yesterday we learned in the humish about
the
construction of the table, how it was
made, the bread, the showbread that was
put on the table, as well as the cover
of the ark and the crew that came from
the cover of the ark. Today we'll be
learning about the construction of the
manora and the structure of the actual
tabernacle.
Verse 31.
And you shall make a candalabra of gold
of pure. It shall be pure gold.
It should be formed by hammering it.
Hamra the mana should be made. The
kindra it will have in it multiple
parts.
It will have a base k its stem its
goblets.
its spheres
its flowers
should all be an integral part of this
manora.
Rashi explains what this means in verse
31. Rashi
the manora itself should be made out of
one piece.
You should not make it of separate
parts.
You shouldn't make each one each arm a
separate piece and then eventually
afterwards put them all together like
the people who usually uh shape and do
these kinds of things
talking about blacksmiths who do these
kinds of things.
All of them should come from one piece
of gold
and then with a chisel he bangs out the
exact shape of the manora.
And then he cuts it with his tools.
Then we'll separate the stems to each
side until it gets the shape of a
candalabra.
Meaning one piece
from the have to pull it from one place
to the next.
ess that he pulls out the stems from the
solid piece of gold and then you pull
the gold branches going the arms going
to each side
to each side. And how is this done by
banging the hammer on it
however but if you look at the word that
does not mean to stretch but that comes
from the word
like banging something out
like we mentioned before about that we
find that the terminology that's used
that when he was nervous and afraid his
feet were banging against each other
what does it mean the word teas come
sounds like it will be made not that you
should make it and Rashi explains this
is because was made on its own. Why was
it made on its own?
Moshe was told about making the minor.
He tried making it. It was very
difficult.
Told him
take this
of gold threw it into throw it into the
fire
and it will be made on its own.
Therefore, in this case, it doesn't say,
"You shall make the manora, but it will
be made." And it was made by God by
Moshe throwing it into the fire
is the base.
This was the foot on the bottom which
was made like a box. And then
there was like a little box on the
bottom that the actual stem, the center
stand stood in the manura and from it
three little legs came out.
The word the stem is the middle branch
that stood in the middle and from there
the other six branches came out from
which was facing towards up. It was
vertical
and on it was the middle candle means
was made like a bowl
to pour the oil into its to place the
wick
its cups its goblets.
Just like the cups that you have that
are made out of glass
that they are um long and narrow.
These however were made from gold built
and they would be sticking out coming
out from every one of the branches
as the Torah will soon enumerate how
many should be coming out of each
branch.
These were not used. They did not put
anything in these goblets. They were
only there for beautifification.
These spheres
of like round apples meaning round balls
that would surround every branch
just like the candle labers that are
there in front of great ministers.
The amount of them. The Torah continues
to say how many spheres were then
sticking out on each one of the monoras.
after and how much space there had to be
between each button.
They were shaped and formed as the like
an like a flower.
What does this mean?
All these items, the spheres, the
flowers, the goblets should all be
coming out of the stem, out of one
piece, not made into separate pieces and
then attached together. church should
all be part of one piece. Verse 32,
you'll have six branches coming out of
the side of the center pole.
You'll have three poles coming out from
one side, three branches coming out on
one side
and three branches will be coming out of
the other side of the candalabra
says on both sides.
on an angle. As we know that Rashi and
the Rambam as the Reb mentioned many
times from the picture that the son of
the Rambam wrote and over here we see
Rashi says it as well that the actual
branches were straight on an angle like
a V not rounded
and they would continue to go up until
the height of the manora which that was
the center pole. So each one of the
poles of the manora each one of the
branches came out as a V reaching the
same height as the center pole. So all
flames should be an equal height
each one then in order because it would
all have to be equal to the same height
each pole came out higher than the next
three branches on each side. First a
longer one a shorter one and then a
shorter one. This way they will all be
the same height as the center.
They would all equal the same height of
the middle center branch which from all
from there all the other six branches
would come out. 33 the Torah continues.
Then there shall be three engraved
goblets.
They will also be on the center on each
branch
as well as a sphere and a flower.
We will have three uh cups which would
be then engraved on each branch
again with a sphere and a flower.
This will be applied to all six branches
that extending from the stem center stem
of the candalabra.
What does the word mean?
Engraved.
This is what they would usually do for
gold and silver things that they would
engrave carve out these kinds of shapes
and ornaments
and three goblets built. On every single
one of the branches, there were three
goblets that were engraved protruding
from them
to there was a flower and a sphere
coming out from each one.
The Torah then continues in verse 34.
And on the actual monora itself and on
the cabler on the stem on the center of
the candalabra you would have there
there would be four cotlets
engraved
including its spheres and flowers.
What does he mean? When he refers to the
word man, Sarashi explains we're talking
about here.
The center stem of the candalabra was
called the manora.
There were four cups.
There was one that was on the bottom,
not connected to all the other branches.
And then you had
and then the other three were together
just like in par and parallel to the
other six branches which also had three
cups coming out of them. So too this one
as well on the top of three cups and
then on the bottom there was another cup
of sphere and bot
this is one of the four five verses in
the Torah
that there is no clear concise way how
to decide how it should be done
I don't know
when we talk about the word engraved is
it only talking about the goblets should
be the ones engraved But the flowers and
the spheres were not
or do I say that they were engraved
together with the flowers and the
spheres and therefore as the flowers and
the spheres as well were part of it.
Meaning when we look at the word over
here and that the manora had these four
cups is it referring to as well as the
flowers and the spheres or not? Verse
35.
And then you're going to have
There shall be one sphere situated below
the two branches
and then there will be another sphere
shall be situated next to the next two
branches.
That means every place where the two
branches on both sides join will be a
sphere that they connect with.
So it should be for all the six branches
coming out of the manura. So in total
you have nine flowers, 11 spheres, 22
goblets that were on the actual
candalabra
meaning on the center pole
that you had the sphere in the middle
and the center pole and from that sphere
the two branches came out like a V.
B that's the way we learned in the BC
and it gives us the idea and tells us as
follows
the height of the manora was 18 hand
breaths. How did that work out?
The feet, the base with its legs were
with the first flower. Then
that's the flower that we mentioned that
was on the base.
From there you had two hand breaths that
were empty.
Then you had another one. And on top of
that, you had that another hand breath.
You had the goblet, which was one of the
four goblets that we mentioned
previously. That was on the bottom.
Then you would have one sphere, one
flower from the two spheres and flowers
that had we mentioned before that were
on the center pole itself
like we learned in the previous verse
that it had to be engraved with flowers
and spheres. And then
so from here we learned that on the
center pole there were
there were two spheres and two flowers.
Besides for the three spheres that from
there each one of the poles extended
from each one of the branches extended
from there was another spheres as well
because we mentioned previously in the
verse that from that sphere the two
branches would extend from. Now
continuing in the measurements you have
then you add two hand breaths empty
then you add a another number nine. So
we're up to the ninth hand breath you
had the button where the two branches
would come out
where the two branches would come out to
the height of the monura. Then teak
number 10. Hand breath number 10 empty.
Hand breath number 11. Again a sphere
with the two branches coming out. On top
of it there was a teac a hand breath
that was empty.
Then there was a third one where the
last set of branches would come out
from. On top of that you add another two
hand breaths empty. So you have left
over three hand breaths
which had in it the three goblets
with the button with the sphere and the
flower that was on each one and the last
top of the three the last three hand
breaths which gives you a total of 18
hand breaths. So what we have over here
is you have the 18 hand breaths. If you
want to go from top to bottom, top three
you had the goblet, the and the the
three goblets, the sphere and the
button. Then we notice that you have two
empty uh two empty hand breaths. Stay in
your hand for the next three hand
breaths. Yet with each one a space in
between of a hand breath with this with
the arms extending from those spheres.
Then two hand breaths empty. Then again
another hand breath where you had the
goblet sphere and button. Two hand
breaths empty. And then the last three
is what the base was. What we have over
here total.
So how many goblets do you have base 22
for each one and form the actual center
pole?
of 22 goblets,
11 spheres,
six on each one of the poles
and three on the center pole
that the actual branches extended from
them. And then another two which were on
the actual center pole itself.
So there you have you minus two.
He had one which was by the base
and then another one which was on the
top with the three cups.
Then it had nine flowers.
Six for each one of the poles as it says
that it says in the center pole there
should be a sphere and a flower. Then
you add three and four the center pole
as well.
Therefore, as it says in particular
you look closely the we mentioned before
in the that was mentioned in the Talmud
you will see the exact number as we
enumerated that there were the uh 20 11
if go through it again was nine flowers
11 spheres and 22 goblets
verse 36
the spheres and the branches.
They should all be part of the actual
manura itself.
They all have to be hammered out of a
single piece of pure gold. 37
and then you will make seven lamps seven
and then you will kindle its lamps
and they will shine towards the center.
What does it mean? the lamps like bowls
which they would put the oil on the
wixen.
What does it mean that it would shine
inward? Sashi says and explains
you will make the top of the six candles
of lamps which are in the top of the
branches that are coming from the sides
that they should be leaning
towards the center. So you had the right
to the left facing towards the center
pole where that was the center candle.
They would should all be centering and
leaning towards the center which that
was the center of the monora. Besides
the actual manora candalabra itself
there were tools that were used for the
manora as well.
Its tongues and its scoops of ter should
be made out of pure gold. What do they
need these tongues and scoops for? Sashi
tells us
these were the tongues that were used to
take the wicks from the oil. They were
probably more like a tweezers than
tongues
and to be able to make them straight and
make them towards leaning towards the
candles as well.
The reason why it's called its root word
is to take that these were used to grab
to take something and the tarum calls it
because from the word like we know in
ethics of our fathers it uses the
terminology tongues are called
they were like little bowls little
scoops
that they would use it to collect the
ashair that was in the candle every
single morning when the high priest
when he had to clean out the candles
that he would clean out all the little
bowls from all the little ash after the
wicks have burnt
that they were lighting all night and
they would now put out
the word comes from the word like a
shovel that they would scoop it out and
this was this little bowl that they
would clean it with. This was all made
from verse 39.
It should all be made together with all
the utensils. This was made out of one
talent of gold.
And you'll see how this was made how
this was made on the mountain. Rashi
explains verse 39
that everything meaning all the vessels
should all only weigh one talent of
golder
not more and not less. A talent of gold
is about 48 kilograms or in pounds 106
pounds.
That there were different uh types of
talents of how they would measure it.
That means the amount of how they would
weigh the kik would be only 60 mana
when you go of kesh when you would
measure it according to the weight for
one that was used for the holy temple it
would be double the amount was 120 mana
how much is a mana so rashi explains how
much is a mana based according to what
was way the ways of measurements in the
time of rashi
who
The mana which was a regular one that
they would weigh the gold for something
that was not holy was the measurement of
elitra which today they would use
rashi's time he's referring to a colonia
and this was in Germany that they would
make the coins from that kind of uh
weight that they would use in the kind
places in Germany Spain in France in
that area
what is it weighed May was 100 dinar
estamish
25 a is four is four dinar. So if you do
a mana of holy which was 50 which is
double of was the unholy one. So it
comes out that a kar was 1,500
dinar. A kikar of kesh was then 3,000
dinar. This is just the calculations of
how they would calculate things for the
holy temple or things they would use on
a private life. Verse 40.
And then observe how these forms were
being made
that I show you here on the mountain and
this is the way you're going to make it.
Rashi explains that God was telling
Moshe,
look the way I'm showing you what the
form of the manora is that I'm showing
it to you. This teaches us
that Moser found it difficult to
understand how the manora should be
made.
God showed him a a manora made out of
fire to show him exactly how it should
be made. And therefore God uses the
terminology as the image that you've
seen on the mountain
as the says that you see on the
mountain.
If it would have said not
then it would be an action in the
present.
You should show it to others.
Now that there's a more
something that you see that somebody
else shows it to you. There's a that
you're showing to others and then
there's something that somebody shows to
you. Over here, God was showing it to
him and therefore he uses that
terminology.
Chapter 26, the Mishk. And now we move
on to the coverings of the Mishkan and
the actual building of the structure of
the tabernacle. the Mishkan and the
actual covering of the Mishkan
Ta. You're going to make
10 out of 10 tapestries.
They're going to be of linen twin
as well with turquoise, purple, and
scarlet.
They're going to be webbed in a design
that will have in it.
You're going to make it in the special
woven design that in it you will see the
now over here he's telling him the words
what's the purpose of what are you going
to have these uh what are these curtains
going to be for
these are going to be for roof and als
partitions out on top of the beams
because the curtains would hang over the
beams to be able to cover them.
The word which means twined.
It says it first and then afterwards it
tells us about the turquoise, purple and
blue. What is it telling us?
So every single thread had in it was
made was woven of four different kinds
of thread.
You had the linen
three kinds of wool which was the blue,
the turquoise wool, the purple and the
scarlet.
Each thread then had to be double six
meaning.
What you have over here then is when you
take one thread that's made up of six
threads those six threads times four. So
you have of all four kinds when you are
going to weave them together you're
going to have 24 for each thread because
each one was double. So you have the 24
threads for each one of the threads that
were then woven together to make these
curtains
that within the way weaving of the
actual curtains. They wo in those shapes
of the
not in the way that you would weave it
through a needle,
but it has to be woven into it that you
should be able to see it from both
sides. parts of parts of meaning that
while they wo it, you had one image when
you saw it on this side and one image
when you saw it on the other side. For
example, as Rashi says, you saw a lion
on one side, then you saw an eagle on
the other
like they weave the different sashes
made out of silk that they call.
Verse two,
the length of every single one of these
curtains of these tapestries were
28 cubits
and they were wide of each one of these
tapestries would be four cubits. So it's
28 long four wide
for each one of these tapestries
all the tapestries should have the same
size. Verse three,
you'll have five tapestries shall be
attached to one another.
And then you'll have the other five
shall be also attached one to the other.
Thus you're going to have a total of 28
cubits by 20 cubits.
one individually, five on their own and
five on their own.
This is the way the verse uses
to use the female terminology.
When it's something which is male, we'll
use a male terminology. So wife one to
its sister or man to his brother.
Like we use the over there, it's a male
terminology. So therefore, he says man
to his brother. How are you going to
hook these together? Verse five.
You shall make 50 loops.
You're going to make in the on the edge
of one of the tapestries at the edge of
it.
And another 50 loops
you're going to make on the edge of the
other set of tapestries.
You'll have to make sure that the loops
are aligned with each one of its
counterparts.
What does mean
loops like I make a bow which this way
you'll be able to connect the one with
the other
you'll do it at the edge of the tapestry
and because you have a bunch of five so
therefore uses the terminology
so to you will make it
by the one that is the edge lost in
touch at the edge at the edge of each
one there will be those loops. So you'll
be able to connect them each one with
the other
to be aligned. So over here the Torah
tells us
you have to be careful and and uh watch
that they should be properly aligned.
So therefore the same loops that are
done on one should be on the other
when you separate them you should still
see that the loops are aligned with one
with the other.
The word magulus means zuku one align to
the other opposing the other like from
the word
to accept that it should be there.
Rashington explains how the actual
measurements of the tapestries of the
Mishkan worked and he says as follows
and he if you put everything into
proportion he puts it this way
if you take the tapestries aron its
length was 28 28 hand breaths and its
width was four like we explained before.
So now when you connected the two the
five together comes out
5 * 4 is 20
and then the second one as well which
was 28 long so it's 28 long by 20 wide
the actual tabernacle itself was
30 long
from east to west as we're going to see
there were 20 poles that were here on
the west side on the south side and so
too on the north side
and each beam was a and a half a hand
breath and a half you have 30 ammos
going you have 20 ammos each one was an
a half so you have 30
20 * 1 and a half equals 30 so from east
to west you have 30 ammos
the width of the mishk from north to
south was 10 as you're going to learn
later telling us how many poles should
be there
two in the corner. So you have a total
of 10. So if you have 6 by 1 and a2
equals 9
then you have five by.5. So you have
that equals 10 because you have another
uh half on each end because there was a
little extra. So you have there 10 amos
of the back.
Rashi tells us that when we get to learn
about the beams, he's going to explain
how this all worked. So let's go back
now that we know that there were 30
length from east to west. North to south
was 10. Let's understand now how these
were placed.
He would then lay down the tapestries to
the length of the width of the Mishkan.
meaning they would cover the entire roof
of the Mishkan and they would hang down
and they would hang down. So you had 10
in the center. So from the 28 you had 28
that's the length 10 on the center
which would cover the the center hole of
the Mishkan
and then would hang down on each side
to the thickness of the crush. So you
have the hollow space was 10 because if
you recall from north to south was 10
amos on the center. So your center empty
space was 10 amas. The actual pole was
an ammo. So that gives you already 12
amas as the top.
So you left 28 minus 12 gives you left
and it would hang down eight on each
side.
It would cover the height of the crush
which were 10.
So that means if you looked at the
actual tabernacle, eight amas would hang
down on each side. Your bottom two hand
breaths, your bottom two amos, that
means the socket and two amas of the
beams were revealed were not covered by
the curtains.
Um,
now what about the width of the of the
tapestries? Our buoy was 40 kishah
when they were connected because
remember there were 20 times five gives
you 40 total so there was 20 you had
five times four I'm sorry so there gives
you a total of 20 you had two sets of
five gives you 40 amas total so what
they they were used they were when they
were connected you had you have 20 amas
for each tapestry
30 of it went
went for the empty because we said the
length of the mishk was 30. So therefore
you have
to it length
one for each thickness of the of the uh
of the poles
as well as the one that were in the
east. There weren't that many
poles in the east only four of them.
So you had eight that would hang over in
the rest.
The same thing goes also. So when you
take it to the other way around. So you
had 28
total this way. Then 38 going 40 going
this way. 30 for the actual emptiness.
Two for the poles and then another eight
that would hang down on the back on the
west side of the actual tabernacle. And
you had two amas that were revealed.
This I found on the Bryson which
explains the 49 measurements that were
there as we explained the structure of
how the curtains would hang over the
tabernacle
of I'm sorry
however and that's what the prices say
in the track of Shabas explains
they said that they would actually not
cover the front beams in the east that
means on the entrance way of the
tabernacle
And you had the nine that would hang
down in the back which is on the west
side.
And this you see from our verse where it
says this opinion because they would put
the which was the curtain that hung in
the front under the hooks.
And if you would say that according to
the opinion that it was actually hanging
over in the east as well, that means
that the curtain was hanging lower in
amma that it was hanging on the actual
hook. So the question would be did the
curtain in the front which was on the
entrance way on the east was it hanging
on the top of the poles or underneath
the curtain of the front of the poles.
Verse six,
you will then make 50 golden clasps.
And you will connect the tapestries
one to its sister that means one to
another with these hooks
and then these tapestries will become
one.
What does this mean? These were like
hooks.
You would put one hook into the um into
the loops which is one one edge.
They were like sea hooks. And there's
actually a discussion if they were C
hooks or S hooks. But we're going to
assume now they were C hooks. That one
edge went into one end and one edge went
into the other. And this way you
connected the two loops together and
that became one tapestry.
The season the same thing as well. You
will then make um you will then make a
cover. You'll make sheets of goats here
as a tentish on the to spread over the
tabernacle.
You should make 11 of such sheets of
goats of goats. Here
is explains
was made from the here of goats
that this should be as a covering for
the tabernacle
and this would be covered on top of the
tapestries that we mentioned before.
The Torah then continues and tell us how
long these should be. The length of each
one of these should be 30 long and it
should be wide
each one of these tapestries. It should
be the same measurement
for all the 11 tapestries. Verse nine,
I'm sorry. Rashi,
Rashi explains,
if you go by the length to the width of
the Mishkan, that means these goats
would then go to the these goatier
tapestries would then go to the width of
the Mishkan
like he did the first tapestries like we
explained previously.
If you recall, we explained before that
the way the other tapestries were put,
it left us two amas revealing of the
beams around the whole Mishkan. Now that
these are longer by two, this would
cover the leftovers that were there.
So it would cover one because it was one
longer. So you had one left. That one of
the beam actually went into the socket.
So what you were left seeing, you saw
the goat gear came underneath and then
you saw the silver socket that was
there.
The verse then continues verse 9.
And then you're going to attach the five
sheets by themselves
and the six sheets by themselves because
remember there were 11.
And then you should fold the sixth sheet
over the front of the tent.
as Rashi is going to explain what this
means.
You have now a remaining
because now it's bigger so it overlaps.
What would you do with it? So then
because I now have the extra, it doesn't
mean that each one was doubled. The back
of it was then folded over on the uh it
was hanging over on the east side and
then you also which was by the door as
well as you had then on the west side
and he explains just like a kala a
modest bride who covers with the covers
herself with a uh with a veil. So too,
this was the idea that there should be a
little bit covering over as well
and how the excess of the tapestry was
then folded in the back of the actual
tabernacle on the west side as we're
going to see verse 10.
And then you should make 50 loops
on the edge of the inmost first set
the edge of it which you will then
connected
and then you'll make another 50 loops on
the edge of the sheet of the second set
as well. So we have these different
sheets and as we mentioned just like we
had by the first set of tape is treated
with 50 loops on each side to be able to
connect it over here. We have that as
well. So we have number one, we have the
front that it was hanging over on the
east side and soon we're going to get to
about how it would hang over on the west
side as well.
You're going to then make in verse 11
then going to make 50 copper clasps
50. You'll take those clasp and loops
and you'll connect these two coverings
and then it will be then become one tent
joining them together using the C
clamps. Each one was a cubit in between
each one of the uh a half a cubit
between each between each loop using the
the hooks. They would connect the loops
together. Verse 12.
And now you had the overlapping
remainder of the sheet of the goat here
for the tent.
You had a half of sheet overhang which
was there on the back of the tabernacle.
So if you recall the sheets of goats on
the tabernacle from the perspective in
the front we mentioned it was like a
bride's veil that hangs over a little
bit. But what about the back? So now the
back had to then be wrapped around the
back of the Mishkan, the back of the
tabernacle. So Rashi explains how that
was done.
verse 12 rashi
there was the leftovers on uh besides
the ones that were beneath that were
already the tapestries that we
mentioned. Now
if you notice the terminology that the
Torah calls the tapestries of the
tabernacle and the tapestries of the
tent. The tapestries of the tabernacle
was those interwoven one with the four
different materials. This one as the
coats here is called the tapestries of
the tent and they were the ones on the
top and they're called the tent because
they were considered as the overarching
leaping one that was covering the entire
tabernacle
whenever we find it word it means a roof
because it's covering over what's lower
and these were the ones that were on top
of it.
So you have half of this tapestry which
was hanging over with the 11 because it
was 11. The other one was 10. This is
11. So you have the leftover one from
the east side. It was folded over
towards the face of the when somebody
would face the actual tent of gathering
as well. You had the two amus two and a
half and a half that also went over the
back.
It would cover over the bl the remaining
two amas that on the bottom that if you
recall we mentioned that in the back of
and every side of the mishkin the first
tapestry would only uh reach eight amas
down. So you had two revealing the goat
here would then cover the other ammo.
What does it mean? The back of the mishk
because the front was on the east
north and south were the side to the
right and the left. So now it's going to
hang over in the back. You're going to
have to fold it and this way you'll be
able to cover everything that's there.
Verse 13,
you'll have an amma extra from each side
in the leftover of those sheets.
The extra cubit that you have on either
end in the length of the sheets. What's
going to happen with that?
Those are going to be in the length.
They shall hang down in the length of
the sides of the tabernacle.
Mishkan they will be hanging down on the
side mis on each side to cover it. So,
as we mentioned, it goes in the back.
The extras, you have the extra adamas in
the back. Then you have it folds over
the sides going over the other
tapestries that were already there
to the north and south,
which they were extra on the length of
the tapestries of the tabernacle token.
They will be hanging down to the north
and south like we explained before.
North and south are the sides. East and
west is front and back.
So here the Torah is telling us uh a way
of respect.
The the person should care about what's
nice. Meaning the therefore the ones
that were on top were covering the ones
of the tapestries which were longer
because the nicer ones
were on beneath it. So when you walked
into the Mishkan, you saw the ones that
were of colored, but the outer ones were
being protected by the goats here. And
this is what they were there for.
Verse 14.
And you will make a covering for the
tent of gathering
which will be done out of dyed out of
red dyed ramskins.
And on top of that is going to be a roof
of skins. Verse 14, Rashi explains what
does it mean?
The roof that we mentioned before that
we already have the goats here. Now
you're going to make another roof.
You're going to make another cover which
this is going to have the ram skin and
on top of that another one which is
going to have
but those were only on top. They would
not hang down on the sides. They were
the length of
they were by 30 by 10
the rams and was one and just half of it
was
half was ofkin. So you have now the roof
of the mishkun had three layers
according to one opinion four layers
according to another opinion. You had
the multiple mixed combination of wool
and linen which was the bottom layer. On
top of that you had the goats here. On
top of that you had the ramkin and on
top of that the takkin according to the
other opinion had the third layer was
half takin and half ramkin. This was the
covering of the structure of the
tabernacle. This concludes the third
Torah reading for Parius Truma.